I was fortunate to be joined on my walk by David Upton, who has written some reflections on his blog: A Venture into Mythogeography.
How relevant is it who owns the idea and/or the walk? If it doesn’t “belong” to us, how does it affect the walk (in terms of experience, reflections, gallery reception…)?
In my opinion, it’s a global season of walks. It seems like ‘walking art’ is everywhere, or maybe, I have just been reading too much on the same subject.
I just finished writing an article on walking art as a critical tool, though I’m not sure I believe what I wrote. The San Francisco Museum of Modern Art is including it in their regular programming–with its accompanying $25 admission.
After seeing the cemetery’s flower stands I wanted to bring some home to my partner, but I thought that flowers for the dead might not like the company of the living.
How will the cemetery of the XXII century look?